Interview with Kensho Furuya Sensei Feb. 2002

In February 2002, Sensei was kind to take part in an interview for the Israeli Aikido Magazine.
Maybe it is a goot time for everyone to read, remember and enjoy his wisdom and kindness.
Yours,
Ze'ev Erlich
I was born just after the WWII and my parents were interned in a concentration camp in Heart Mountain, Wyoming. My mother was very young at the timeand never spoke about her experiences so I know that it was very tough. My father joined the US Army, the famous 442nd, and fought in Italy. After the war, it was a difficult time of transition for Japanese Americans in America who were trying to relocate and settle down once again and we, the younger generation, were forbidden to experience anything Japanese in an effort to assimilate us into American culture. Even though my grandparents immigrated to the United States in the early 1900's, I was still looked upon as the "enemy" so as much as I was obligated to assimilate and become all-American, I was continually reminded that I was different from my friends. It was a very difficult time for me. My parents were poor and we lived with my grandparents at the time. My maternal grandparents came from a very illustrious samurai family and were very conservative and "Japanese" in their outlook and my paternal grandparents were involved in many traditional Japanese arts. They all had a tremendous influence on me and although my parents did not approve, I had a strong interest in my cultural heritage very early on. I started kendo when I was about 8 years old. I started Aikido sometime after that, learning from a Japanese exchange student from Tokyo who had studied at Hombu Dojo. At that time, there are only one or two dojos in the whole West Coast and almost none throughout the country. I had read about Aikido somewhere and was so anxious to start. At that time, hardly anyone had heard of Aikido or knew what it was.
ZE: This may look like a strange question: What is Aikido?
For myself, I must say that it is a Japanese martial art created by Founder Morihei Ueshiba O'Sensei. So I think that we must first understand Aikido as such - as a martial art. Of course, nowadays, Aikido means many things to many people and I think this is also very good. There are now, as you know, many kinds of Aikido today. I myself am concerned with Aikido as established by O'Sensei and his successors, the late 2nd Doshu Kisshomaru Ueshiba and the present Doshu Moriteru Ueshiba.In my own dojo, I would like to emphasize the "martial arts" aspects of Aikido more and more, as I see that this aspect is concentrated on less and less nowadays. I don't consider myself to have any special talents in Aikido although I have been in Aikido a long time. More than an innovator and interpretor of Aikido, I am more of a transmitter of Aikido as I learned it from my teachers and prefer to pass on Aikido to my students "exactly" as I have learned it from them. I hope my own students will receive the same message, meaning and benefits that I received during my youthful days of training.I think that as we interpret Aikido we, at the same time, begin to "specialize" or focus on particular aspects of the art. I think as a traditional martial art, Aikido covers a very broad spectrum of study and discovery and I would like to keep that open to my students. What is important to me is to give them Aikido as close to the Aikido I received from my teachers.
ZE: If someone calles you up on the telephone, and asks you the above question, how will you answer?
I have to admit that I am very bad at business and still have an old fashioned attitude about this. I do not have any special "sales pitch" for the prospective student and I do not try to convince him to study Aikido. I only invite him to come and observe the practice and join us if that is what he is looking for. I also instruct my students to be encouraging but not forceful and pressure the prospective student into joining. The student must make the decision to join on his own. In the old days, the student implored the teacher to receive instruction. Today, it seems to me, the teacher often must become like a merchant and treat the student like a "customer." For myself, the dojo is never a business. Perhaps this is a very old-fashioned, obsolete and naive attitude to take, but it is way the my teachers taught me and I feel this is proper for Aikido. I don't know if this applies to everyone but I still feel this way, even today.
ZE: Sensei, tell us about your approach to aikido.
My personal approach is to provide the optimum training environment to practice. I offer classes seven days a week and rarely close-only on special holidays and usually by student consent. When I was very young, there were not many dojos to practice and I had to travel all over the area to find a dojo so I could practice every day of the week. Many schools in those days shared with other martial arts and sports so it never felt like we had a dojo just for Aikido. It has always been my dream that my own students would never have to suffer like I did trying to find a place to practice so, with my Dojo, I tried to provide the ideal place for them to come and train everyday without a worry.Everything in Aikido must be seen from the perspective of his training and I aspire the student to master the correct form and understanding of how to practice Aikido. Once he understands this, he has the foundation to grow on his own. My aim is to give the student a solid foundation in Aikido so I only teach very basic techniques. Once he masters this, I believe he can grow strongly and correctly in whatever direction he chooses or is inclined.I don't travel too much as I used to many years ago and this seems to be changing again as I am getting many invitations to visit different dojos recently. Ideally, I believe I have to be there every single day, every moment, for my student and prefer to guide my students on a daily basis, watching each student's practice very carefully, guiding, correcting them every moment, each day. I want the see their progress over an extended period of time. Even the slightest mistake in teaching a student can have dire consequences later on. Teaching is very hard work and patience and demands tremendous committment and a caring heart by the teacher for the student to see that he develops correctly and properly and attains good skill and understanding in the art.
ZE: What teacher had the greatest influence on you?
Of course, O'Sensei was my greatest inspiration. I met 2nd Doshu in 1962 and began training at Hombu in 1969. I think the late Kisshomaru Ueshiba Sensei was the greatest inspiration for me in his own quiet and humble way. I owe a great deal to the late Kisaburo Ohsawa Sensei and Seigo Yamaguchi Sensei, whose Aikido I have always aspired to. It was through Ohsawa Sensei's Aikido that led me to become a Zen priest many years later in 1988. All of these instructors were not flamboyant or ostentatious but very quiet and humble and I have always admired this. I believe Ohsawa Sensei could have been one of the most well known teachers of Aikido, I believe, but he preferred to stay by Doshu's side and advise him and never became independent. He loyally fulfilled O'Sensei's last will and testament to support 2nd Doshu. One time, I was watching Ohsawa Sensei demonstrate Aikido and I turned to a very well known, high ranking Sensei, who was standing next to me and asked, "How can Ohsawa do Aikido like that?" This great teacher simply replied, "Afterall, Ohsawa Sensei is enlightened, isn't he!" Another great teacher in the United States, I believe, is Mitsunari Kanai Sensei whom I met in 1968 while I was attending Harvard University. I have always thought his technique was so wonderful. In Aikido, these teachers have been my main inspirations.
ZE: Would you describe your teaching methods and the general attitude at your dojo?
Although I don't consider myself very strict, most people in my area consider me very strict and demanding. I think I am demanding because I am trying to squeeze the very best out of each of my students - it is the inner potential they have but don't even realize it themselves. I don't think that I am strict because I am never as strict as my own teachers were on me. I think times are changing and the atmosphere and attitude in Aikido nowadays is too informal or maybe, I should say, more "user' friendly," - because of this, I think I appear "strict" to everyone - but I haven't really changed much over the years. In fact, I am very much less strict that before. I think another reason people think I am strict is that the discipline and etiquette in the Dojo is very strictly observ ed. I believe this is an important and essential aspect of the art to develop the person as a good, upright human being.As a priest, I live a life of solitude so I am not a very sociable person and do not party at all. But everyone in the Dojo seems to be very happy and practices very well and very hard. Many of my students make tremendous progress in the Aikido and always continue to surprise and impress me with their committment, attitude and energy. I consider all these wonderful students I have a great blessing in my life.
ZE: Did you come up with any unusual training methods of your own?
My teaching is very straight forward and I teach very orthodox Aikido. Nothing strange, exotic or unique - just plain everyday Hombu Aikido. I only teach what I have confirmed in my own training and I do not "try out" any new ideas on my students. My students are human beings, not laboratory mice, I believe, and I must them my very best by all means. What may be considered different from other teachers is that I emphasize learning the very fine detail of each technique - because each and every technique has its own special characteristic and property. Sometimes, I may go into too much fine detail for each technique and the technique becomes too complex requiring more training from the student. I don't know if this is bad or good.The only other aspect of my teaching methods is that I emphasize the traditional teacher-student relationship as in a Zen temple or old time dojo for teaching, and seek out the "heart to heart" transmission of knowledge between teacher and student. I think this relationship is the basis for the transmission of knowledge in the martial arts and Aikido as well. So much in Aikido cannot be communicated by mere words so it is essential that we all work together and train together in harmony. It is through this that we can truly understand the other person and make a connection with him. It is this connection that we can create with each other that is the beginning first step to understand this concept of harmony and peace.I believe that Aikido students as part of their training must contribute to society so I do, along my all my students, much volunteer service work in the community. Students are also required to work in the Dojo keeping it in good order and immaculately clean. In addition to Aikido training on the mats, this teaches how to work together for others, this also teaches how to do things for others without thought of personal merit or reward, that we can do something merely because it is good and the right thing to do. Although we must become strong in Aikido, this strength must be well tempered with compasssion and we can only learn this by helping and caring for others.In my own personal thoughts on teaching, I often tell my students that no one can develop on his own. Everyone must develop himself as everyone around him develops. It is just as true happiness does not belong to a single person. If we achieve happiness as everyone around achieves happiness at the same time, perhaps this is true happiness.
ZE: Do you have any memorable training or teaching stories ?
I am not a great person or celebrity so I don't have many personal stories that are amazing. Everyday, however, I see miracles. And lately, in my later years, I believe there is nothing more important than faith - to have faith in one's self and others around you. I don't think that I can be here where I am without many miracles I have experienced and this never ceases to amaze me. There is much in this world that we don't know about, but through Aikido, we can peak at a world which is completely wonderful and amazing. When I came to this realization, many things changed for me all at once.
ZE: Could you please tell us about your book "KODO"?
Kodo Ancient Ways: Lessons in the Spiritual Life of the Warrior, is a compliation of over 40 articles I wrote over a period of fifteen years for a column entitled "Ancient Ways." It was voted two years successfully as the "most popular" and "most widely read" column of martial arts magazines in all of the BlackBelt Pulibcations according to their annual survey of the readership. It is also one of the longest running columns in any martial arts magazine to date, I am happy to say. Most of the episodes are stories that I heard personally from my teachers. All of the stories are teachings that have helped, guided, and inspired me in my own training over the years. I never forgot one story or lesson my teacher ever taught me. Many of the stories cannot be found in other books so I thought to record them for my students and keep the honored memory of my teachers' wisdom alive. As an interesting footnote, just before Kodo went to press for publication, I took the draft to a famous psychic and healer to bless the book. As per my request, every owner of each copy of KODO receives a blessing of healing. It was very interesting experience because when I first handed him the book, he immediately said, without even opening the book or knowing what it was about, that there were many, very many ancient people surrounding the book and myself. He said this is very rare to see. Apparently, these ancient persons were all very happy and giving the book their approval, according to him. Then, the psychic told me that he saw a black spot on page four. When he sees a black spot, it means that there is something wrong or there is a mistake that must be corrected. I returned home and there was already a message on my telephone from the publisher. She said that she was making a last final perusal of the book just minutes before it went to press but she noticed a mistake everyone missed on page four and not to worry because she corrected it! I thought this was very amazing and auspicious.Anyways, it is a very simple book but so many people all over the world, beyond my wildest expectations, have read the book and sent me grateful letters and emails. I really appreciate everyone's support and glad that so many people are enjoying its reading and getting some benefit from it. KODO II is getting ready for publication. This is composed of 365 lessons, one for each day of the year.
ZE: Could you please tell us about the concept of KI ?
I think O'Sensei's idea of "ki" is difficult to understand and nowadays many people have formulated many interpretations of "ki." If we go back to study how this term was used throughout history in China and Japan in many schools of thought - there are enough books to fill a large room. "Ki" is one of the essential concepts in traditional Asian thought but must be studied carefully and thoroughly to understand it. It definition changes throughout different periods in history and according to the school of thought or particular philosopher. Much study is need here I believe. Today, we generally give "ki" a "psychic" or "mental" interpretation but it is a little different than that. "Ki" is something which exists between the physical and non-physical world - either existing in between or connecting these two levels of existence. In the East, "ki" is equated with "ri" meaning "reason" or "laws of nature." We should look at ki as the energy contained within the laws or operation of the universe. What we do in Aikido is to try to reestablish or enhance this "connection" which we call, harmony. I think this is what O'Sensei meant by "becoming One with the Universe." I think it is very important to understand how ki works as it is important to understand the technique itself. Both are integral to Aikido as O'Sensei taught it.
ZE: Is ki no nagare (flowing technique) important in your aikido?
Very important. There is no Aikido without it, I believe. We cannot "will" ki to move. If we follow the proper form and execution of the technique, ki will flow naturally. To allow ki to flow naturally within the technique is what we are trying to discover and master in our training. Without this, I think the techniques are like any other martial arts techniques. I think this is one reason I emphasize the bvasic techniques so much because it is through these techniques which O'Sensel selected that one can develop the strongest and clearest sense of this ki.
ZE: What are your thoughts on training with the sword?
I have always loved the sword ever since I can remember. I started kendo when I was about 8 years old. I bought my first sword around that time, saving lunch money from my parents and money given to me by my gradparents. My mother was very upset with me, but I was allowed to keep it. I have collected and studied swords all my life. When I was very young, my grandfather's good friend from the old country, Japan, was a kendo teacher and he taught me kendo and Itto Ryu and also started me on Iaido training as a child. Sword is very important in Aikido. O'Sensei said, "Execute the Aikido technique as if you are holding a sword." I teach sword in my Dojo but it is often very hard and my students get discouraged and stop. I have a separate Iaido Department in which I teach pure traditional Iaido. My Iaido students are doing very well, I am happy to say.I hate to comment on Aikido sword because I think my views are maybe too personal. At great risk, I just say that I am concerned that many Aikidoists study sword but do not yet understand that simple basics of sword. I would hate to see someone practice Aikido sword yet be easily defeated by the simplest sword attack by a swordsman. In addition, I often see people practicing and the basic grip for holding the sword is incorrect and basic cuts are not executed well. I believe O'Sensei taught sword at such a high level that it is difficult for normal people like us to understand. We do need to understand at the very least the rudimentary elements of sword to study Aikido sword. Generally, many Aikido students study Aikido sword to enhance their own Aikido training and not particularly to study swordsmanship itself. Also, there is a safety factor here in training, swordsmanship is very dangerous, even with a wooden practice sword. I think this is okay but I am not too comfortable with this for my own students. I would like them to learn "actual" swordmanship and apply this to their Aikido training.Finally, what a Kendo man may appreciate but many Aikidoists do not is that the sword moves very fast, faster than the eye can move in many cases. I think we go too slow in our techniques. If a real sword is coming, it is so fast that we cannot even see it coming. When I was very young, I trained under the famous Torao Mori Sensei, also nicknamed "Tiger Mori." When he took a point or hit your head or wrist, it was so fast that after he hit us he would have to tell us that we have already been hit. We didn't know ourselves because we didn't even see it coming. Training in this kind of environment, I have to see Aikido swordmanship against this kind of opponent. What this means is that we must develop our precise, exacting sense of ma-ai, timing and spacing, and our "ki" in order to deflect the opponent's sword and execute the technique. I think swordsmanship is all mental sense, awareness and ki or, at the very least, the acute and precise functioning or it. At my students' request, I am teaching more sword nowadays in my dojo, but it is very difficult to teach. Japanese swordsmanship is an extremely sophisticated art with a long history of refinement by many generations of great masters. Sometimes we oversimplify sword techniques in Aikido and there is a caution here. I apologize to everyone for my comments of sword.
ZE:What plans do you have for the future?
I have no real ambitions, I just teach in my dojo everyday and continue my studies. I am committed to the few students who come to train under me. I am very happy and content with this and my students make my life complete. Over the years I have lost my ambition for fame and success. I think I will always be a poor teacher until I die. Yet, recently, I have had many requests to visit other schools so maybe it is time or destiny again to help students outside my tiny school here in Little Tokyo, Los Angeles. I will go wherever I can help and be of some use. I don't want to get into the usual politics and competitiveness that exists in the world. I don't want to be "famous" or "popular." But nowadays, I have a great deal of confidence in the students who are training under me and they can help me a great deal if I begin to travel again or take care of the dojo very nicely if I am away. Because I am blessed with a strong core group of students, I feel that I can travel more freely. I have isolated myself in my own studies in my own dojo for over twenty years now, maybe it is time to get a bit of fresh air.
ZE: What is your message to the Aikidoka in Israel?
Everyone who can practice Aikido is blessed, especially to make this connection with someone like O'Sensei, even though he has passed on he is still alive in our art. As the late Ohsawa Sensei always used to say, I say to you, "Practice good Aikido!' I think more than many countries, I think, we are very concerned with peace and harmony in this world. Yet, as you also know, no country has achieved this in the history of mankind. Take a look around. We, as human beings, do no tfully understand what this "peace" means yet. I think this is why it is so hard to grasp or achieve in this world. Yet, O'Sensei's Aikido can give us a hint to what it is and how to achieve it . This is why Aikido, I believe, is so important in the world today. Please continue your Aikido training and never give up. Aikido, above all things, teaches us the value of our lives. I feel so honored that I have been asked to do this interview for you. I hope that there is something here to benefit you. That I have friends in your country is a great honor for me and I am very happy about this. I was so surprised to know that my little book, KODO, has reached your country so far away as well. I hope that you will continue to make contact with me and that we can continue to be friends and one day we can all train together. It goes without saying that you are always welcome to my Dojo for training.
Always with my best wishes and blessings,
Respectfully,
Aikido Center of Los Angeles
Rev. Kensho Furuya
ZE: I would like to thank you very much for your time
Furuya Sensei will be remembered forever.
Furuya Sensei, you were always there for everyone. Always ready to assist and teach, reply and care.
You are the only teacher who really cared about me.
This is so sad.
All the students of Furuya Sensei, please be strong, please take care of the dojo and continue in this wonderful path he created with so much love and hard work.
I will miss you Sensei, I will miss our phone calls, e-mails, messages...
Here is a big hug for you Sensei, a last one till I see you in heaven.
Ze'ev Erlich.
Maybe it is a goot time for everyone to read, remember and enjoy his wisdom and kindness.
Yours,
Ze'ev Erlich
An interview with Rev. Kensho Furuya Sensei.
The Israeli Aikido Magazine
Ze'ev Erlich: Furuya Sensei, how did you first come to aikido?
I was born just after the WWII and my parents were interned in a concentration camp in Heart Mountain, Wyoming. My mother was very young at the timeand never spoke about her experiences so I know that it was very tough. My father joined the US Army, the famous 442nd, and fought in Italy. After the war, it was a difficult time of transition for Japanese Americans in America who were trying to relocate and settle down once again and we, the younger generation, were forbidden to experience anything Japanese in an effort to assimilate us into American culture. Even though my grandparents immigrated to the United States in the early 1900's, I was still looked upon as the "enemy" so as much as I was obligated to assimilate and become all-American, I was continually reminded that I was different from my friends. It was a very difficult time for me. My parents were poor and we lived with my grandparents at the time. My maternal grandparents came from a very illustrious samurai family and were very conservative and "Japanese" in their outlook and my paternal grandparents were involved in many traditional Japanese arts. They all had a tremendous influence on me and although my parents did not approve, I had a strong interest in my cultural heritage very early on. I started kendo when I was about 8 years old. I started Aikido sometime after that, learning from a Japanese exchange student from Tokyo who had studied at Hombu Dojo. At that time, there are only one or two dojos in the whole West Coast and almost none throughout the country. I had read about Aikido somewhere and was so anxious to start. At that time, hardly anyone had heard of Aikido or knew what it was.
ZE: This may look like a strange question: What is Aikido?
For myself, I must say that it is a Japanese martial art created by Founder Morihei Ueshiba O'Sensei. So I think that we must first understand Aikido as such - as a martial art. Of course, nowadays, Aikido means many things to many people and I think this is also very good. There are now, as you know, many kinds of Aikido today. I myself am concerned with Aikido as established by O'Sensei and his successors, the late 2nd Doshu Kisshomaru Ueshiba and the present Doshu Moriteru Ueshiba.In my own dojo, I would like to emphasize the "martial arts" aspects of Aikido more and more, as I see that this aspect is concentrated on less and less nowadays. I don't consider myself to have any special talents in Aikido although I have been in Aikido a long time. More than an innovator and interpretor of Aikido, I am more of a transmitter of Aikido as I learned it from my teachers and prefer to pass on Aikido to my students "exactly" as I have learned it from them. I hope my own students will receive the same message, meaning and benefits that I received during my youthful days of training.I think that as we interpret Aikido we, at the same time, begin to "specialize" or focus on particular aspects of the art. I think as a traditional martial art, Aikido covers a very broad spectrum of study and discovery and I would like to keep that open to my students. What is important to me is to give them Aikido as close to the Aikido I received from my teachers.
ZE: If someone calles you up on the telephone, and asks you the above question, how will you answer?
I have to admit that I am very bad at business and still have an old fashioned attitude about this. I do not have any special "sales pitch" for the prospective student and I do not try to convince him to study Aikido. I only invite him to come and observe the practice and join us if that is what he is looking for. I also instruct my students to be encouraging but not forceful and pressure the prospective student into joining. The student must make the decision to join on his own. In the old days, the student implored the teacher to receive instruction. Today, it seems to me, the teacher often must become like a merchant and treat the student like a "customer." For myself, the dojo is never a business. Perhaps this is a very old-fashioned, obsolete and naive attitude to take, but it is way the my teachers taught me and I feel this is proper for Aikido. I don't know if this applies to everyone but I still feel this way, even today.
ZE: Sensei, tell us about your approach to aikido.
My personal approach is to provide the optimum training environment to practice. I offer classes seven days a week and rarely close-only on special holidays and usually by student consent. When I was very young, there were not many dojos to practice and I had to travel all over the area to find a dojo so I could practice every day of the week. Many schools in those days shared with other martial arts and sports so it never felt like we had a dojo just for Aikido. It has always been my dream that my own students would never have to suffer like I did trying to find a place to practice so, with my Dojo, I tried to provide the ideal place for them to come and train everyday without a worry.Everything in Aikido must be seen from the perspective of his training and I aspire the student to master the correct form and understanding of how to practice Aikido. Once he understands this, he has the foundation to grow on his own. My aim is to give the student a solid foundation in Aikido so I only teach very basic techniques. Once he masters this, I believe he can grow strongly and correctly in whatever direction he chooses or is inclined.I don't travel too much as I used to many years ago and this seems to be changing again as I am getting many invitations to visit different dojos recently. Ideally, I believe I have to be there every single day, every moment, for my student and prefer to guide my students on a daily basis, watching each student's practice very carefully, guiding, correcting them every moment, each day. I want the see their progress over an extended period of time. Even the slightest mistake in teaching a student can have dire consequences later on. Teaching is very hard work and patience and demands tremendous committment and a caring heart by the teacher for the student to see that he develops correctly and properly and attains good skill and understanding in the art.
ZE: What teacher had the greatest influence on you?
Of course, O'Sensei was my greatest inspiration. I met 2nd Doshu in 1962 and began training at Hombu in 1969. I think the late Kisshomaru Ueshiba Sensei was the greatest inspiration for me in his own quiet and humble way. I owe a great deal to the late Kisaburo Ohsawa Sensei and Seigo Yamaguchi Sensei, whose Aikido I have always aspired to. It was through Ohsawa Sensei's Aikido that led me to become a Zen priest many years later in 1988. All of these instructors were not flamboyant or ostentatious but very quiet and humble and I have always admired this. I believe Ohsawa Sensei could have been one of the most well known teachers of Aikido, I believe, but he preferred to stay by Doshu's side and advise him and never became independent. He loyally fulfilled O'Sensei's last will and testament to support 2nd Doshu. One time, I was watching Ohsawa Sensei demonstrate Aikido and I turned to a very well known, high ranking Sensei, who was standing next to me and asked, "How can Ohsawa do Aikido like that?" This great teacher simply replied, "Afterall, Ohsawa Sensei is enlightened, isn't he!" Another great teacher in the United States, I believe, is Mitsunari Kanai Sensei whom I met in 1968 while I was attending Harvard University. I have always thought his technique was so wonderful. In Aikido, these teachers have been my main inspirations.
ZE: Would you describe your teaching methods and the general attitude at your dojo?
Although I don't consider myself very strict, most people in my area consider me very strict and demanding. I think I am demanding because I am trying to squeeze the very best out of each of my students - it is the inner potential they have but don't even realize it themselves. I don't think that I am strict because I am never as strict as my own teachers were on me. I think times are changing and the atmosphere and attitude in Aikido nowadays is too informal or maybe, I should say, more "user' friendly," - because of this, I think I appear "strict" to everyone - but I haven't really changed much over the years. In fact, I am very much less strict that before. I think another reason people think I am strict is that the discipline and etiquette in the Dojo is very strictly observ ed. I believe this is an important and essential aspect of the art to develop the person as a good, upright human being.As a priest, I live a life of solitude so I am not a very sociable person and do not party at all. But everyone in the Dojo seems to be very happy and practices very well and very hard. Many of my students make tremendous progress in the Aikido and always continue to surprise and impress me with their committment, attitude and energy. I consider all these wonderful students I have a great blessing in my life.
ZE: Did you come up with any unusual training methods of your own?
My teaching is very straight forward and I teach very orthodox Aikido. Nothing strange, exotic or unique - just plain everyday Hombu Aikido. I only teach what I have confirmed in my own training and I do not "try out" any new ideas on my students. My students are human beings, not laboratory mice, I believe, and I must them my very best by all means. What may be considered different from other teachers is that I emphasize learning the very fine detail of each technique - because each and every technique has its own special characteristic and property. Sometimes, I may go into too much fine detail for each technique and the technique becomes too complex requiring more training from the student. I don't know if this is bad or good.The only other aspect of my teaching methods is that I emphasize the traditional teacher-student relationship as in a Zen temple or old time dojo for teaching, and seek out the "heart to heart" transmission of knowledge between teacher and student. I think this relationship is the basis for the transmission of knowledge in the martial arts and Aikido as well. So much in Aikido cannot be communicated by mere words so it is essential that we all work together and train together in harmony. It is through this that we can truly understand the other person and make a connection with him. It is this connection that we can create with each other that is the beginning first step to understand this concept of harmony and peace.I believe that Aikido students as part of their training must contribute to society so I do, along my all my students, much volunteer service work in the community. Students are also required to work in the Dojo keeping it in good order and immaculately clean. In addition to Aikido training on the mats, this teaches how to work together for others, this also teaches how to do things for others without thought of personal merit or reward, that we can do something merely because it is good and the right thing to do. Although we must become strong in Aikido, this strength must be well tempered with compasssion and we can only learn this by helping and caring for others.In my own personal thoughts on teaching, I often tell my students that no one can develop on his own. Everyone must develop himself as everyone around him develops. It is just as true happiness does not belong to a single person. If we achieve happiness as everyone around achieves happiness at the same time, perhaps this is true happiness.
ZE: Do you have any memorable training or teaching stories ?
I am not a great person or celebrity so I don't have many personal stories that are amazing. Everyday, however, I see miracles. And lately, in my later years, I believe there is nothing more important than faith - to have faith in one's self and others around you. I don't think that I can be here where I am without many miracles I have experienced and this never ceases to amaze me. There is much in this world that we don't know about, but through Aikido, we can peak at a world which is completely wonderful and amazing. When I came to this realization, many things changed for me all at once.
ZE: Could you please tell us about your book "KODO"?
Kodo Ancient Ways: Lessons in the Spiritual Life of the Warrior, is a compliation of over 40 articles I wrote over a period of fifteen years for a column entitled "Ancient Ways." It was voted two years successfully as the "most popular" and "most widely read" column of martial arts magazines in all of the BlackBelt Pulibcations according to their annual survey of the readership. It is also one of the longest running columns in any martial arts magazine to date, I am happy to say. Most of the episodes are stories that I heard personally from my teachers. All of the stories are teachings that have helped, guided, and inspired me in my own training over the years. I never forgot one story or lesson my teacher ever taught me. Many of the stories cannot be found in other books so I thought to record them for my students and keep the honored memory of my teachers' wisdom alive. As an interesting footnote, just before Kodo went to press for publication, I took the draft to a famous psychic and healer to bless the book. As per my request, every owner of each copy of KODO receives a blessing of healing. It was very interesting experience because when I first handed him the book, he immediately said, without even opening the book or knowing what it was about, that there were many, very many ancient people surrounding the book and myself. He said this is very rare to see. Apparently, these ancient persons were all very happy and giving the book their approval, according to him. Then, the psychic told me that he saw a black spot on page four. When he sees a black spot, it means that there is something wrong or there is a mistake that must be corrected. I returned home and there was already a message on my telephone from the publisher. She said that she was making a last final perusal of the book just minutes before it went to press but she noticed a mistake everyone missed on page four and not to worry because she corrected it! I thought this was very amazing and auspicious.Anyways, it is a very simple book but so many people all over the world, beyond my wildest expectations, have read the book and sent me grateful letters and emails. I really appreciate everyone's support and glad that so many people are enjoying its reading and getting some benefit from it. KODO II is getting ready for publication. This is composed of 365 lessons, one for each day of the year.
ZE: Could you please tell us about the concept of KI ?
I think O'Sensei's idea of "ki" is difficult to understand and nowadays many people have formulated many interpretations of "ki." If we go back to study how this term was used throughout history in China and Japan in many schools of thought - there are enough books to fill a large room. "Ki" is one of the essential concepts in traditional Asian thought but must be studied carefully and thoroughly to understand it. It definition changes throughout different periods in history and according to the school of thought or particular philosopher. Much study is need here I believe. Today, we generally give "ki" a "psychic" or "mental" interpretation but it is a little different than that. "Ki" is something which exists between the physical and non-physical world - either existing in between or connecting these two levels of existence. In the East, "ki" is equated with "ri" meaning "reason" or "laws of nature." We should look at ki as the energy contained within the laws or operation of the universe. What we do in Aikido is to try to reestablish or enhance this "connection" which we call, harmony. I think this is what O'Sensei meant by "becoming One with the Universe." I think it is very important to understand how ki works as it is important to understand the technique itself. Both are integral to Aikido as O'Sensei taught it.
ZE: Is ki no nagare (flowing technique) important in your aikido?
Very important. There is no Aikido without it, I believe. We cannot "will" ki to move. If we follow the proper form and execution of the technique, ki will flow naturally. To allow ki to flow naturally within the technique is what we are trying to discover and master in our training. Without this, I think the techniques are like any other martial arts techniques. I think this is one reason I emphasize the bvasic techniques so much because it is through these techniques which O'Sensel selected that one can develop the strongest and clearest sense of this ki.
ZE: What are your thoughts on training with the sword?
I have always loved the sword ever since I can remember. I started kendo when I was about 8 years old. I bought my first sword around that time, saving lunch money from my parents and money given to me by my gradparents. My mother was very upset with me, but I was allowed to keep it. I have collected and studied swords all my life. When I was very young, my grandfather's good friend from the old country, Japan, was a kendo teacher and he taught me kendo and Itto Ryu and also started me on Iaido training as a child. Sword is very important in Aikido. O'Sensei said, "Execute the Aikido technique as if you are holding a sword." I teach sword in my Dojo but it is often very hard and my students get discouraged and stop. I have a separate Iaido Department in which I teach pure traditional Iaido. My Iaido students are doing very well, I am happy to say.I hate to comment on Aikido sword because I think my views are maybe too personal. At great risk, I just say that I am concerned that many Aikidoists study sword but do not yet understand that simple basics of sword. I would hate to see someone practice Aikido sword yet be easily defeated by the simplest sword attack by a swordsman. In addition, I often see people practicing and the basic grip for holding the sword is incorrect and basic cuts are not executed well. I believe O'Sensei taught sword at such a high level that it is difficult for normal people like us to understand. We do need to understand at the very least the rudimentary elements of sword to study Aikido sword. Generally, many Aikido students study Aikido sword to enhance their own Aikido training and not particularly to study swordsmanship itself. Also, there is a safety factor here in training, swordsmanship is very dangerous, even with a wooden practice sword. I think this is okay but I am not too comfortable with this for my own students. I would like them to learn "actual" swordmanship and apply this to their Aikido training.Finally, what a Kendo man may appreciate but many Aikidoists do not is that the sword moves very fast, faster than the eye can move in many cases. I think we go too slow in our techniques. If a real sword is coming, it is so fast that we cannot even see it coming. When I was very young, I trained under the famous Torao Mori Sensei, also nicknamed "Tiger Mori." When he took a point or hit your head or wrist, it was so fast that after he hit us he would have to tell us that we have already been hit. We didn't know ourselves because we didn't even see it coming. Training in this kind of environment, I have to see Aikido swordmanship against this kind of opponent. What this means is that we must develop our precise, exacting sense of ma-ai, timing and spacing, and our "ki" in order to deflect the opponent's sword and execute the technique. I think swordsmanship is all mental sense, awareness and ki or, at the very least, the acute and precise functioning or it. At my students' request, I am teaching more sword nowadays in my dojo, but it is very difficult to teach. Japanese swordsmanship is an extremely sophisticated art with a long history of refinement by many generations of great masters. Sometimes we oversimplify sword techniques in Aikido and there is a caution here. I apologize to everyone for my comments of sword.
ZE:What plans do you have for the future?
I have no real ambitions, I just teach in my dojo everyday and continue my studies. I am committed to the few students who come to train under me. I am very happy and content with this and my students make my life complete. Over the years I have lost my ambition for fame and success. I think I will always be a poor teacher until I die. Yet, recently, I have had many requests to visit other schools so maybe it is time or destiny again to help students outside my tiny school here in Little Tokyo, Los Angeles. I will go wherever I can help and be of some use. I don't want to get into the usual politics and competitiveness that exists in the world. I don't want to be "famous" or "popular." But nowadays, I have a great deal of confidence in the students who are training under me and they can help me a great deal if I begin to travel again or take care of the dojo very nicely if I am away. Because I am blessed with a strong core group of students, I feel that I can travel more freely. I have isolated myself in my own studies in my own dojo for over twenty years now, maybe it is time to get a bit of fresh air.
ZE: What is your message to the Aikidoka in Israel?
Everyone who can practice Aikido is blessed, especially to make this connection with someone like O'Sensei, even though he has passed on he is still alive in our art. As the late Ohsawa Sensei always used to say, I say to you, "Practice good Aikido!' I think more than many countries, I think, we are very concerned with peace and harmony in this world. Yet, as you also know, no country has achieved this in the history of mankind. Take a look around. We, as human beings, do no tfully understand what this "peace" means yet. I think this is why it is so hard to grasp or achieve in this world. Yet, O'Sensei's Aikido can give us a hint to what it is and how to achieve it . This is why Aikido, I believe, is so important in the world today. Please continue your Aikido training and never give up. Aikido, above all things, teaches us the value of our lives. I feel so honored that I have been asked to do this interview for you. I hope that there is something here to benefit you. That I have friends in your country is a great honor for me and I am very happy about this. I was so surprised to know that my little book, KODO, has reached your country so far away as well. I hope that you will continue to make contact with me and that we can continue to be friends and one day we can all train together. It goes without saying that you are always welcome to my Dojo for training.
Always with my best wishes and blessings,
Respectfully,
Aikido Center of Los Angeles
Rev. Kensho Furuya
ZE: I would like to thank you very much for your time
Furuya Sensei will be remembered forever.
Furuya Sensei, you were always there for everyone. Always ready to assist and teach, reply and care.
You are the only teacher who really cared about me.
This is so sad.
All the students of Furuya Sensei, please be strong, please take care of the dojo and continue in this wonderful path he created with so much love and hard work.
I will miss you Sensei, I will miss our phone calls, e-mails, messages...
Here is a big hug for you Sensei, a last one till I see you in heaven.
Ze'ev Erlich.



The famous Zen priest, Ikkyu once wrote two sayings which I think express Zen very well. One scroll says, “Shoaku Makusa” or “Don’t do bad deeds.” The second scroll says, “Shuzen Bugyo,” or “Practice goodness.” if you can understand these simple words and bring them into your practice and your Life, I think I can say that you have mastered the Zen spirit. When O’Sensei talked about non-fighting and peace and one family of man, I think that he was trying to tell us this very same idea but in slightly different words.
